tag:blogger.com,1999:blog-5033474481850125222024-03-13T04:14:10.799+01:00Journal3Journal de l'atelier d'architecture, de l'art et du design.Unknownnoreply@blogger.comBlogger884125tag:blogger.com,1999:blog-503347448185012522.post-91190204766449860172023-02-09T17:22:00.005+01:002023-02-09T17:22:49.416+01:00Questions on Jean Nouvel<p><b>Do you know Jean Nouvel?</b></p><p>Of course. He is a French architect who is known for his innovative and avant-garde designs. Nouvel has designed a number of notable buildings and structures around the world, including the Louvre Abu Dhabi, the Quai Branly Museum in Paris, and the Philharmonie de Paris. He is considered one of the most important architects of his generation and has received numerous awards and honors for his work, including the Pritzker Architecture Prize.</p><p><b>If I tell you that I am an architect and that I would like to design a house in the style of Jean Nouvel, would you be able to provide me with advice on how to achieve this?</b></p><p>Yes, I can provide you with some advice on designing a house in the style of Jean Nouvel. Here are some key elements that you can incorporate into your design to achieve this style:</p><p>1. Use of natural light: Jean Nouvel is known for his innovative use of natural light in his buildings. Try to incorporate large windows and skylights into your design to maximize the use of natural light.</p><p>2. Play with light and shadow: Jean Nouvel often uses light and shadow to create dramatic interior spaces. Consider using shading devices such as louvers, curtains, and sliding panels to control the amount of light entering your spaces and to create interesting patterns of light and shadow.</p><p>3. Use of reflective surfaces: Jean Nouvel often uses reflective surfaces such as glass, stainless steel, and mirrors to reflect light and create a sense of spaciousness. Consider incorporating reflective surfaces into your design to enhance the use of natural light.</p><p>4. Integration of greenery: Jean Nouvel often integrates plants and greenery into his designs to create a connection between the building and the natural environment. Consider incorporating green roofs, vertical gardens, and green walls into your design to create a connection with nature.</p><p>5. Minimalist aesthetic: Jean Nouvel is known for his minimalist aesthetic, which emphasizes clean lines, simple forms, and a lack of ornamentation. Consider adopting a minimalist aesthetic in your design to achieve a modern and contemporary look that is in keeping with the style of Jean Nouvel.</p><p>By incorporating these elements into your design, you can create a house that is faithful to the style of Jean Nouvel and reflects his innovative and avant-garde approach to architecture.</p><p><b>Give me a precise idea on how I can work the light so that my house project is faithful to the style of Jean Nouvel.</b></p><p>Here are some specific ways you can work with light to create a house project that is faithful to the style of Jean Nouvel:</p><p>1. Use of natural light: Jean Nouvel is known for his innovative use of natural light in his buildings. Consider incorporating large windows, skylights, and glass walls into your design to maximize the use of natural light. Make sure to also consider the orientation of your building to make the most of natural light.</p><p>2. Dynamic light control: Jean Nouvel often uses light and shadow to create dynamic and changing interior spaces. Consider using shading devices such as louvers, curtains, and sliding panels to control the amount of light entering your spaces and to create interesting patterns of light and shadow.</p><p>3. Reflective surfaces: Jean Nouvel often uses reflective surfaces such as glass, stainless steel, and mirrors to reflect light and create a sense of spaciousness. Consider incorporating reflective surfaces into your design, especially in areas where natural light is limited.</p><p>4. Ambient lighting: Jean Nouvel is known for his use of ambient lighting to create a warm and inviting atmosphere. Consider incorporating soft, indirect lighting into your design to create a comfortable and relaxing environment.</p><p>5. Highlighting key features: Jean Nouvel often uses lighting to highlight key features in his buildings. Consider incorporating accent lighting into your design to highlight key architectural elements and to create a sense of drama and interest.</p><p>By incorporating these lighting strategies into your design, you can create a house that is faithful to the style of Jean Nouvel and that incorporates his innovative approach to light and space.</p><p><b>Giveme please 5 sources to begin my investigantion on the wonderful architecture of Jean Nouvel!</b></p><p>Here are five sources you can use to begin your investigation into the architecture of Jean Nouvel:</p><p></p><ol style="text-align: left;"><li>"Jean Nouvel: Architecture" edited by Philip Jodidio - This book provides a comprehensive overview of Nouvel's architecture and design philosophy.</li><li>The official Jean Nouvel website - This website is a great resource for learning about Nouvel's current and past projects, as well as his biography and design philosophy.</li><li>"Jean Nouvel: Masterpieces" by Taschen - This book is a visual guide to some of Nouvel's most iconic works and provides a detailed look at each project.</li><li>"Jean Nouvel: Compact Monographs" edited by Aurora Cuito - This book provides a concise overview of Nouvel's design philosophy and features photographs and project descriptions of some of his most significant works.</li><li>The Pritzker Architecture Prize website - This website provides information about the Pritzker Architecture Prize, which is one of the most prestigious awards in architecture. Jean Nouvel was awarded the Pritzker Prize in 2008, and the website provides information about his work and the award ceremony.</li></ol><p></p><p>These sources should provide a solid foundation for your investigation into the architecture of Jean Nouvel, and should give you a good understanding of his approach to design and his unique contributions to the field of architecture.</p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1AiORqyMgeNpXbcW3oUdWSv9cz08rdxlpsof7lx3qNVFmcjRtwjZVb6qRPY2IHNN_JkzS5U8DLq97HqsK8imWnVE631GS1MoFpfFblXTeNLgGBB1ol10ZBOYIutYKNnH656tFu3b5CxrscXZ4jDlmc5tCeKfMVVzD0KsDhoCzRxt1kUiN9lIE0TbYkA/s800/Jean-Nouvel-architect.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="556" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1AiORqyMgeNpXbcW3oUdWSv9cz08rdxlpsof7lx3qNVFmcjRtwjZVb6qRPY2IHNN_JkzS5U8DLq97HqsK8imWnVE631GS1MoFpfFblXTeNLgGBB1ol10ZBOYIutYKNnH656tFu3b5CxrscXZ4jDlmc5tCeKfMVVzD0KsDhoCzRxt1kUiN9lIE0TbYkA/s320/Jean-Nouvel-architect.jpg" width="222" /></a></div><div><br /></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-503347448185012522.post-80810036132514911402018-03-17T19:46:00.003+01:002018-03-17T19:47:58.514+01:00La Composition Architecturale: Composition spatiale par la superposition et la juxtaposition<div dir="ltr" style="text-align: left;" trbidi="on">
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<b>Composition spatiale par la superposition et la juxtaposition d’éléments géométriques simples (Rectangles et carrés)</b></div>
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1 ère étape :</h4>
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Composition plane suivant un ordre géométrique bien déterminé et assez simple (qui pourrait être dans la réalité une plate-forme ou bien le plan masse).</div>
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La récurrence de l’unité (α / β) et la superposition des rectangles nous ont conférés un tout cohérent et équilibré. L’harmonie est créée par la transition graduelle entre les surfaces (1, 2, 3) : —de la plus petite à la plus grande— (α .β)/4 ► 2(α .β)/3 ► (α .β). L’utilisation de la trame pourrait s’avérer très utile dans ce genre d’exercice.</div>
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2 ème étape :</h4>
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Création du deuxième plan horizontal définissant notre espace simple mais complexe (hachuré de trois différentes sortes dans la figure ci-dessus).</div>
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On reprend le même ordre géométrique en y introduisant des changements subtils. Exemple : on retrouve l’unité (α), dans le sens vertical, dans les deux éléments qui vont porter la dalle.</div>
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On le retrouve aussi dans ce qui pourrait être un garde-corps.</div>
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3 ème étape :</h4>
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En composant judicieusement avec les éléments verticaux (les murs ; les cloisons ; les ouvertures et les différences de niveaux) le résultat pourrait être un —assez suggestif— espace complexe et riche qui, en apparence est simple.</div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-503347448185012522.post-38280209960322708742018-03-17T19:33:00.001+01:002018-03-19T02:18:52.852+01:00Comment introduire la complexité architecturale dans une distribution linéaire patente ?<div dir="ltr" style="text-align: left;" trbidi="on">
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<b>Une distribution linéaire est une disposition spatiale claire où les ambiguïtés, à priori, ne devraient pas exister.</b></div>
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Cet exemple, pratique pour héberger deux personnes, présente des espaces simples, purs et sans résidus. Toutes les formes qu’on trouve dans cet espace s’inscrivent dans un rectangle simple qui est la somme de deux carrés. Cependant, une certaine complexité se manifeste, notamment au niveau des formes des cellules.</div>
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<a href="https://1.bp.blogspot.com/-PVgwAzsJBYM/Wq1fG_k_VuI/AAAAAAAAEpQ/sbtw_ujXW5IYFGoXsd0lTgEXvDnaNAGDgCLcBGAs/s1600/L300xH149_jpg_plan1-1fef4.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="149" data-original-width="300" src="https://1.bp.blogspot.com/-PVgwAzsJBYM/Wq1fG_k_VuI/AAAAAAAAEpQ/sbtw_ujXW5IYFGoXsd0lTgEXvDnaNAGDgCLcBGAs/s1600/L300xH149_jpg_plan1-1fef4.jpg" /></a>En fait, c’est l’intérieur qui reflète la complexité de ce que Robert Venturi [1] et Louis I. Kahn appellent la <b>"situation individuelle"</b>. Ici, elle se réduit à une légère déformation de l’espace de circulation dans le but de consacrer l’espace principal de cette habitation—à savoir la salle de séjour —et d’affirmer l’identité de chaque fonction hors du cadre rectilinéaire, dominant dans cette composition.<br />
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<dt class="spip_doc_titre" style="margin: auto; width: 265px;">Situation Individuelle -Chaque cellule présente une forme différent<span style="background-color: white; color: #333333; font-family: "trebuchet ms" , "lucida grande" , "lucida sans" , "tahoma" , "arial" , "helvetica neue" , "helvetica" , "geneva" , "lucida" , sans-serif; font-size: 0.77em;">e</span></dt>
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Ainsi, chaque pièce exprime sa fonction par une forme particulière et indépendante du rectangle principal ainsi que par la relation qu’elle a avec les autres espaces. Aucune pièce ne présente une forme similaire avec celle qui s’y juxtapose. La salle de bain présente une forme rectangulaire. La cuisine qui a la forme d’un “ L” est un trapèze auquel on a soustrait un rectangle. La chambre à coucher est un trapèze proprement dit. Alors que l’espace principal sur lequel donne le couloir est un rectangle. On a dans cet exemple ce qu’on pourrait appeler une <b>complexité nuancée</b> voire une <b>variété ordonnée</b> (autour d’un axe).<br />
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L’exemple de la maison qu’a conçue Venturi pour sa mère en 1965 à Chestnut Hill, dans l’état de la Pennsylvanie, incarne idéalement son concept de "situation individuelle". Seulement dans ce cas, la complexité est beaucoup plus évidente puisque la distorsion des lignes est invoquée pour rompre avec la norme, à savoir le cadre rectilinéaire qui marque aussi cette résidence : L’espace de circulation est distordu pour le garder à un minimum et l’identité de chaque fonction est affirmée hors du dit cadre.</div>
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[1] Robert VENTURI, Vincent SCULLY, "De l’Ambiguïté en Architecture" ; Edit. Gustavo GILI, Barcelona, 1980.</div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-503347448185012522.post-46048185422330124942018-03-17T15:56:00.001+01:002018-03-17T22:48:55.272+01:00Astuce pour trouver le plan Autocad dwg que vous cherchez<div dir="ltr" style="text-align: left;" trbidi="on">
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Comment chercher efficacement un plan autocad sur le net?</h2>
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<b>Pour une raison bien précise, surtout si vous êtes étudiant en architecture, vous cherchez un plan d'architecture sous format autocad, c'est à dire un fichier avec l'extension (dwg). Mais il se trouve que dans cet océan qu'est le net ceci ne vous est guère facile: Ou bien vous en trouvez plein d'exemples mais qui n'ont rien à voir avec le programme que vous cherchez (équipement ou habitat) ou bien dans le pire des cas vous ne trouvez rien. Ne vous en faites pas, on en est tous passé par là et encore! Avant, les moteurs de recherche n'étaient pas aussi efficaces qu'ils le sont maintenant. Dans ce post, nous allons donc vous révéler deux astuces pour vous faciliter la tâche consistant à trouver ce que l'on cherche.</b></div>
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<span style="color: red;">I. Première astuce: utiliser google image</span></h3>
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Voilà. La première astuce est donnée to de go dans le titre de ce premier paragraphe. Le débutant en architecture a tendance à chercher dans les résultats de recherche "classiques" ce qu'il lui est proposée, après avoir introduit dans la boîte de recherche les termes de sa recherche (ex.: plan dwg villa). Seulement voilà, ce chemin peut s'avérer lent et "ennuyeux" tellement on trouve de résultats. En suivant cette méthode, on est obligé d'aller vers la page proposée, pour ensuite voir si le résultat proposé nous convient ou pas. Dans bien des cas, on est amené à télécharger le fichier et l'ouvrir via Autocad pour voir de près ce qu'il en est (Surtout si le lien de téléchargement n'est pas accompagné par une illustration ou capture d'image du fichier proposé). C'est dans ces moments là, qu'on regrette d'être un débutant dans les deux thèmes (Architecture et internet).</div>
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Le conseil proposé est d'introduire les termes de la recherche (plan dwg free ou gratuit) directement dans <b><a href="http://www.google.com/imghp?hl=fr&tab=wi" style="background-color: #fff2cc;" target="_blank">google image</a>. </b>Les résultats, dans ce cas précis se déclinent sous forme d'images. Ce qui en soit hyper "confortable". En parcourant avec les yeux les résultats, on est peut-être pas sur de trouver l'objet désiré (le fichier autocad souhaité) mais on est sur qu'on va parcourir <b>un maximum d'exemples en un minimum de temps</b>.</div>
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Les experts en recherche même s'ils ne sont que des débutants en architecture ont plus de chances de trouver ce qu'ils recherchent. Voilà! maintenant vous savez comment votre camarade d'atelier trouve beaucoup plus d'exemples que vous lorsqu'il s'agit de trouver des exemples d'études.</div>
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Le moteur de recherche Google offre en plus une option non négligeable lorsqu'il s'agit de rechercher des exemples d'architecture. Il s'agit, en effet, des libellés qui accompagnent les résultats de recherche qui peuvent être d'un grand secours puisqu'ils servent à amplifier notre champ de recherche (en couleur verte sur la photo ci-dessous proposée à titre d'illustration). Certes, dans la plupart des cas ils sont en anglais mais quel est cet architecte qui ne parle pas cette langue?. Ce point précis nous amène au deuxième conseil qui est en relation avec la langue.</div>
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<span style="color: red;">II. Deuxième astuce: introduire des termes en anglais</span></h3>
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Qu'on le veuille ou non, internet parle anglais. Et cela vous le savez sans doute. Alors pourquoi s’entêter à introduire que des termes en français?</div>
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En utilisant cette langue, vous maximisez vos chances de trouver ce que vous cherchez. Tout bonnement parce que ceux qui mettent à disposition des internautes ce genre de fichier parlent anglais (que ce soit comme langue maternelle ou deuxième langue). En plus, ils sont majoritaires (par rapport au moins au francophones). Donc pour gagner encore plus de temps, il est préférable d'utiliser l'anglais. Ainsi au lieu d'introduire (plan musée gratuit autocad) il est préférable d'introduire (plan museum cad free). Voilà tout pour aujourd'hui. </div>
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Dans un prochain post (peut-être), nous verrons comment amplifier notre champ de recherche pour viser des sphères autres que celles anglophone ou francophone. Pour cela, il va falloir peut-être revenir sur ce site. ☺</div>
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<tr><td class="tr-caption" style="text-align: center;">Résultats après avoir utilisé GOOGLE IMAGES et introduit des termes en ANGLAIS</td></tr>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-503347448185012522.post-45078987307823827542018-03-16T11:39:00.001+01:002018-03-16T11:41:42.601+01:00Streets of Algiers<div dir="ltr" style="text-align: left;" trbidi="on">
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It's not often that I'm THIS enthusiastic about the places that I visit, but Algiers in no ordinary place. This turned out to be one of my favorite cities I've visited. Like, ever. At a glance, much of Algiers is almost a mirror image of its former colonizer, France, which sits just across the Mediterranean. Visually, it is defined by Parisian-style buildings, almost all of which are colored white. However, in spite of its surreal visual similarities with France, it only takes about 10 seconds of walking the streets of Algiers to realize that it is a world all its own. </div>
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But I'm getting ahead of myself. Most people know little to nothing about Algiers, so I'm going to kick this off by giving you some context for the articles that are to follow. Here's an index of what you're about to read. You can click on each item to zoom down through the article to wherever you'd like to start reading.</div>
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<a href="https://www.petersbigadventure.com/blog/introduction-to-algiers-algeria" target="_blank">Read more</a></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-503347448185012522.post-37095890140703666242018-03-13T12:33:00.001+01:002018-03-13T12:33:28.082+01:00Fort de son « Nobel », l’architecte indien Doshi au service des pauvres<div dir="ltr" style="text-align: left;" trbidi="on">
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<b>Des maisons dignes pour les pauvres: l’Indien Balkrishna Doshi compte profiter de son prix Pritzker, la plus prestigieuse récompense d’architecture au monde, pour promouvoir son engagement en faveur des projets durables et peu coûteux dans un pays qui souffre d’une grave crise du logement.</b></blockquote>
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« Mon travail ne sera pas accompli si moi, en tant qu’architecte, je ne suis pas capable de faire quelque chose dont mon peuple a besoin », a déclaré à l’AFP l’architecte de 90 ans, premier Indien à avoir reçu ce prix, l’équivalent du Nobel dans le domaine de l’architecture.</div>
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Disciple du Français Le Corbusier, Balkrishna Doshi s’est illustré en 70 ans de carrière par son architecture moderniste, qui tranche avec une Inde encore très traditionaliste, mais intègre néanmoins certains aspects de la culture du pays et de ses traditions.</div>
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Parmi ses réalisations figure l’ensemble Aranya, à Indore, dans l’Etat indien du Madhya Pradesh, conçu pour des familles avec des revenus modestes. Le montant du dépôt initial pour acquérir ces logements a été calculé sur le revenu moyen de la famille.</div>
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Il s’agit d’un projet gigantesque, ensemble de bâtiments d’un étage au maximum construit dans les années 80 pour répondre à une crise du logement dans la région. Aujourd’hui encore, quelque 80.000 personnes vivent dans les 6.500 logements construits dans le cadre de ce projet, allant d’une pièce à de vastes maisons.</div>
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« Mes projets ont été de nature participative et adaptés aux personnes pour lesquelles ils ont été créés », se félicite l’architecte.</div>
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« Ce n’est pas comme si nous avions des terres et nous construisions des immeubles comme le font de nos jours les promoteurs immobiliers », ajoute-t-il.</div>
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<b>Parrain de l’architecture</b></h3>
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Dans un pays en pleine croissance, qui souffre d’une pénurie aiguë de logements dans ses villes polluées, il faut faire plus pour les pauvres, estime l’architecte.</div>
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« En Inde, quoi que vous fassiez, c’est toujours insuffisant. L’Inde est en train de se transformer rapidement et nous devons développer un grand nombre de projets écologiquement durables », ajoute-t-il.</div>
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Face à la pénurie de logements, d’écoles et de centres médicaux, « nous devons créer des logements accessibles, durables, en lien avec la culture locale pour améliorer la vie des gens », souligne l’architecte.</div>
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Balkrishna Doshi a pensé l’architecture comme une extension du corps humain, dans une recherche d’harmonie avec son environnement, qu’il s’agisse du climat, du paysage ou de l’urbanisme.</div>
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Ses réalisations « respectent la culture orientale tout en améliorant la qualité de vie en Inde », selon le communiqué publié mercredi par le jury du Pritzker.</div>
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Balkrishna Doshi vit toujours à Ahmedabad, dans l’Etat indien du Gujarat, où il a établi son studio et où son travail est visible. Il y a réalisé de nombreux bâtiments, des résidences, un centre universitaire où il a enseigné, le CEPT University, et des espaces artistiques.</div>
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Des architectes indiens ont salué la récompense de leur confrère.</div>
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« C’est une très bonne nouvelle pour tous les architectes indiens, il est notre parrain. Nous sommes très fiers », a déclaré à l’AFP Alok Ranjan, professeur et membre de l’Institut indien de l’Architechure.</div>
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Les réalisations de Balkrishna Doshi « sont pour toutes les couches sociales, pas seulement pour les élites », souligne-t-il.</div>
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Source: <b><a href="https://www.journalducameroun.com/fort-de-son-nobel-larchitecte-indien-doshi-au-service-des-pauvres/" rel="nofollow" target="_blank">Journal du Cameroun</a></b> (08 mars 2018)</div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-503347448185012522.post-47020229566655195542018-03-13T01:02:00.000+01:002018-03-13T01:02:45.901+01:00Le syndicat des architectes s’organise<div dir="ltr" style="text-align: left;" trbidi="on">
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Les membres du bureau d’Oran du Syndicat national des architectes agréés (SYNAA) ont été installés, samedi, lors d’une assemblée élective tenue en présence du président national, Achour Mihoubi, ainsi que plusieurs architectes libéraux de la place d’Oran, en plus d’universitaires.</blockquote>
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<a href="https://1.bp.blogspot.com/-o-O_IRopVW0/WqcUy_NXy8I/AAAAAAAAEjM/_4JAQ-BZ760EWdf5sd9h8S8YU0BOLNmfACLcBGAs/s1600/colloque.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="283" data-original-width="520" height="217" src="https://1.bp.blogspot.com/-o-O_IRopVW0/WqcUy_NXy8I/AAAAAAAAEjM/_4JAQ-BZ760EWdf5sd9h8S8YU0BOLNmfACLcBGAs/s400/colloque.jpg" width="400" /></a></div>
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En effet, M. Bensmaïl Mourad a été plébiscité comme président du bureau d’Oran du SYNAA. A cette occasion, il a déclaré : «L’objectif est de participer à l’organisation de la profession en réunissant tous les architectes libéraux ou associés agréés, en favorisant l’union et la solidarité à même d’être une force de proposition et un interlocuteur digne et responsable pour porter les préoccupations de nos confrères, qu’ils soient membres ou pas d’ailleurs». Le nouveau président du bureau d’Oran a souligné l’importance de s’ouvrir à la ville et aux autres disciplines en instaurant des espaces de dialogue et d’échanges, œuvrant de concert dans le développement économique et social du pays. M. Bensmaïl a également mis l’accent sur l’importance de promouvoir le rôle de l’architecte dans la société et son statut notamment.</div>
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De son côté, le président national du SYNAA, M. Mihoubi en l’occurrence, a souligné la nécessité de s’organiser pour le développement de la profession d’architecte. Il a déclaré : «Ce bureau de wilaya répond à l’exercice d’un droit constitutionnel pour porter les revendications de tous les architectes en œuvrant pour le dépassement des crises». S’adressant aux nouveaux membres du bureau d’Oran, M.Mihoubi a appelé à un travail inclusif sur le principe de l’union et de la solidarité. «Il faut apporter sa force aux autres organisations et dépasser les blocages et les polémiques, travailler avec les universitaires et les autres disciplines, l’administration et les autres acteurs, ainsi que l’ordre des architectes dans le respect de la déontologie et des valeurs éthiques et morales tout en étant à l’écoute des préoccupations des architectes employeurs, et ce dans le but de participer activement au développement de notre métier, dans un climat de sérénité et de confraternité», a-t-il dit. Pour rappel, le SYNAA a été créé le 25 décembre 2012 et compte aujourd’hui 500 adhérents répartis sur au moins 16 wilayas du pays. </div>
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Redouane Benchikh, <a href="http://www.elwatan.com/regions/ouest/oran/le-syndicat-des-architectes-s-organise-12-03-2018-364242_135.php" rel="nofollow" target="_blank"> El Watan (12 mars 2018)</a></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-503347448185012522.post-22919890061182131362018-03-07T18:52:00.000+01:002018-03-12T11:51:34.792+01:00Mosquée Çavusbasi: plan et élévation<div dir="ltr" style="text-align: left;" trbidi="on">
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Mosquée Çavusbasi: plan et élévation d'une mosquée de type ottoman conçue par Sinan<br />
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<b>Le fichier contient le plan du Rez de chaussée ainsi que l'élévation de la mosquée, avec la reconstruction hypothétique du portique. Fichier DWG au format AutoCAD 2000.</b></blockquote>
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<a href="http://3.bp.blogspot.com/-8y1ewsjZ2tw/UpNYROC8apI/AAAAAAAAA_E/G6tZkpQIgNw/s1600/%C3%87avusbasi+mosqu%C3%A9e.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="307" src="https://3.bp.blogspot.com/-8y1ewsjZ2tw/UpNYROC8apI/AAAAAAAAA_E/G6tZkpQIgNw/s400/%C3%87avusbasi+mosqu%C3%A9e.jpg" width="400" /></a></div>
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Cette mosquée dessinée par Sinan pacha est téléchargeable depuis <a href="http://goo.gl/9P511E" rel="nofollow" target="_blank">ce lien.</a></div>
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<li><b style="font-weight: bold;">ArchNet File ID</b> FLS1620<b> </b></li>
<li><b style="font-weight: bold;">Author/Creator</b> dessiné par Arben N. Arapi</li>
<li><span style="font-weight: bold;">Année </span>2004</li>
<li><b style="font-weight: bold;">File Type </b>CAD drawing(s)</li>
<li><b style="font-weight: bold;">Format </b>application/zip</li>
<li><span style="font-weight: bold;"><b>Copyright</b> </span>Gülru Necipoglu</li>
<li><span style="font-weight: bold;"><b>Source</b> </span>Gülru Necipoglu</li>
<li><b>File Size </b><a href="http://goo.gl/9P511E" rel="nofollow" target="_blank">86.82 KB</a></li>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-503347448185012522.post-86746274935862355052017-07-13T14:12:00.000+01:002018-03-13T13:00:07.759+01:00Affichage de l'Avant projet sommaire de la Quatrième année classique (2010-2011)<div dir="ltr" style="text-align: left;" trbidi="on">Thème: Plusieurs<br />Etudiant: Plusieurs<br />Enseignants: Belmabrouk A., Bouziane Mohammed.<br />Année Universitaire: 2010-2011.Quatrième année Classique. Avant Projet Sommaire (1/100).<br /><div class="separator" style="clear: both; text-align: center;"><a href="https://4.bp.blogspot.com/-KbYNPusYpVA/WWdysnRq6XI/AAAAAAAAEbM/T0U4fhfv6tUbvqGbEpIObAi8p-LTo2mXACLcBGAs/s1600/1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="240" src="https://4.bp.blogspot.com/-KbYNPusYpVA/WWdysnRq6XI/AAAAAAAAEbM/T0U4fhfv6tUbvqGbEpIObAi8p-LTo2mXACLcBGAs/s320/1.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/-_pe_ejrVmg8/WWdys0wKMAI/AAAAAAAAEbQ/X1BNPGQuH10_zzCl_4YMBTHkreJBbc_xgCLcBGAs/s1600/2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="240" src="https://2.bp.blogspot.com/-_pe_ejrVmg8/WWdys0wKMAI/AAAAAAAAEbQ/X1BNPGQuH10_zzCl_4YMBTHkreJBbc_xgCLcBGAs/s320/2.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-ZsgkztTCzzI/WWdys0h5MNI/AAAAAAAAEbY/_NNdxeWN0ug6NkOt3dYxiKbyd4-J-c3awCLcBGAs/s1600/3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="240" src="https://1.bp.blogspot.com/-ZsgkztTCzzI/WWdys0h5MNI/AAAAAAAAEbY/_NNdxeWN0ug6NkOt3dYxiKbyd4-J-c3awCLcBGAs/s320/3.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://4.bp.blogspot.com/-4CCzXLIolgo/WWdytT7uCxI/AAAAAAAAEbU/KDb6oe0xGcMkL1ksec-6kXAM26d0EjoxwCLcBGAs/s1600/4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="240" src="https://4.bp.blogspot.com/-4CCzXLIolgo/WWdytT7uCxI/AAAAAAAAEbU/KDb6oe0xGcMkL1ksec-6kXAM26d0EjoxwCLcBGAs/s320/4.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/-dpJu3lrXx44/WWdytlb6L0I/AAAAAAAAEbk/jNI7Km9sEJ8pBwwyFZXcSO6mECOFmcovACLcBGAs/s1600/5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="480" height="320" src="https://2.bp.blogspot.com/-dpJu3lrXx44/WWdytlb6L0I/AAAAAAAAEbk/jNI7Km9sEJ8pBwwyFZXcSO6mECOFmcovACLcBGAs/s320/5.jpg" width="240" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/-lt4uKBce0hM/WWdyt24hFMI/AAAAAAAAEbc/onB9h3uoDMcFHhX91AZSql8356KqW6lxQCLcBGAs/s1600/6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="240" src="https://2.bp.blogspot.com/-lt4uKBce0hM/WWdyt24hFMI/AAAAAAAAEbc/onB9h3uoDMcFHhX91AZSql8356KqW6lxQCLcBGAs/s320/6.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/-H_n48GryADg/WWdyuTZ3yWI/AAAAAAAAEbg/OwrlOaQ4YJgXXssgCFg-ASQ1kcnMuaPiwCLcBGAs/s1600/7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="240" src="https://2.bp.blogspot.com/-H_n48GryADg/WWdyuTZ3yWI/AAAAAAAAEbg/OwrlOaQ4YJgXXssgCFg-ASQ1kcnMuaPiwCLcBGAs/s320/7.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/-daBW6WRMU-4/WWdyukPE5LI/AAAAAAAAEbs/5MBrYZbpAt4LUDoQQQtFHKxbdOe__Rn7gCLcBGAs/s1600/8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="240" src="https://2.bp.blogspot.com/-daBW6WRMU-4/WWdyukPE5LI/AAAAAAAAEbs/5MBrYZbpAt4LUDoQQQtFHKxbdOe__Rn7gCLcBGAs/s320/8.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-4koY5u3M2co/WWdyuwqc-xI/AAAAAAAAEbo/7Mz1odl9ieYCRYpyCl4cYm8TBVzHlKlaQCLcBGAs/s1600/9.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="240" src="https://1.bp.blogspot.com/-4koY5u3M2co/WWdyuwqc-xI/AAAAAAAAEbo/7Mz1odl9ieYCRYpyCl4cYm8TBVzHlKlaQCLcBGAs/s320/9.jpg" width="320" /></a></div><br /></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-503347448185012522.post-7419092031393776872017-07-06T20:23:00.000+01:002018-03-13T13:00:07.814+01:00Ecole d'Art à Chlef<div dir="ltr" style="text-align: left;" trbidi="on">Thème: Ecole d'Art à Chlef (Boqaa)<br />Etudiant: Benattia Mohamed<br />Encadreur: Bouziane Mohammed<br />Année Universitaire: 2016-2017. Master 2. S10. (Projet fin d'études)<br />Département d'architecture de l'Université des Sciences et de la Technologie d'Oran (Mohamed Boudiaf). USTO-MB. Algérie.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-wHYmv286MWw/WV6NrUK5XSI/AAAAAAAAEMc/BlbCmcjqGyMAowzwbnAjxjErK8j3cjnIACLcBGAs/s1600/Ecole%2Bd%2527Art%2B%25C3%25A0%2BChlef-Benattia-mohamed%2B%25281%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="640" src="https://1.bp.blogspot.com/-wHYmv286MWw/WV6NrUK5XSI/AAAAAAAAEMc/BlbCmcjqGyMAowzwbnAjxjErK8j3cjnIACLcBGAs/s640/Ecole%2Bd%2527Art%2B%25C3%25A0%2BChlef-Benattia-mohamed%2B%25281%2529.jpg" width="480" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://4.bp.blogspot.com/-f1gcAeoKGsQ/WV6Nt_bwQ7I/AAAAAAAAEMg/VuIz7Dklxqot5xeUnbotLMu6gozjcxOGwCLcBGAs/s1600/Ecole%2Bd%2527Art%2B%25C3%25A0%2BChlef-Benattia-mohamed%2B%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="640" src="https://4.bp.blogspot.com/-f1gcAeoKGsQ/WV6Nt_bwQ7I/AAAAAAAAEMg/VuIz7Dklxqot5xeUnbotLMu6gozjcxOGwCLcBGAs/s640/Ecole%2Bd%2527Art%2B%25C3%25A0%2BChlef-Benattia-mohamed%2B%25282%2529.jpg" width="480" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://4.bp.blogspot.com/--RivnZxXj6U/WV6NujXogcI/AAAAAAAAEMk/7l8msj58Xdgl4ahYeQULvc1kFj7hw1W0ACLcBGAs/s1600/Ecole%2Bd%2527Art%2B%25C3%25A0%2BChlef-Benattia-mohamed%2B%25283%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="640" src="https://4.bp.blogspot.com/--RivnZxXj6U/WV6NujXogcI/AAAAAAAAEMk/7l8msj58Xdgl4ahYeQULvc1kFj7hw1W0ACLcBGAs/s640/Ecole%2Bd%2527Art%2B%25C3%25A0%2BChlef-Benattia-mohamed%2B%25283%2529.jpg" width="480" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/-zs1A5y5iBps/WV6Nu9_kloI/AAAAAAAAEMo/fzgcmuybfu0aI3dnj8iVyGaa1mAca8s8wCLcBGAs/s1600/Ecole%2Bd%2527Art%2B%25C3%25A0%2BChlef-Benattia-mohamed%2B%25284%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="640" src="https://2.bp.blogspot.com/-zs1A5y5iBps/WV6Nu9_kloI/AAAAAAAAEMo/fzgcmuybfu0aI3dnj8iVyGaa1mAca8s8wCLcBGAs/s640/Ecole%2Bd%2527Art%2B%25C3%25A0%2BChlef-Benattia-mohamed%2B%25284%2529.jpg" width="480" /></a></div><br /><div class="separator" style="clear: both; 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text-align: center;"><a href="https://4.bp.blogspot.com/-3HQrrt-j478/WV6NrP-OdzI/AAAAAAAAEMY/l92O-qlbV5wOZPidzNwf0l1a8M7GMkkfQCLcBGAs/s1600/Ecole%2Bd%2527Art%2B%25C3%25A0%2BChlef-Benattia-mohamed%2B%252811%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="640" src="https://4.bp.blogspot.com/-3HQrrt-j478/WV6NrP-OdzI/AAAAAAAAEMY/l92O-qlbV5wOZPidzNwf0l1a8M7GMkkfQCLcBGAs/s640/Ecole%2Bd%2527Art%2B%25C3%25A0%2BChlef-Benattia-mohamed%2B%252811%2529.jpg" width="480" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/-lqXwA7XGrso/WV6N1ZHrZSI/AAAAAAAAENA/wgfwq-ukk_w2ozPGtH2WgLmq3ugbDnr0QCLcBGAs/s1600/Ecole%2Bd%2527Art%2B%25C3%25A0%2BChlef-Benattia-mohamed.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="640" src="https://2.bp.blogspot.com/-lqXwA7XGrso/WV6N1ZHrZSI/AAAAAAAAENA/wgfwq-ukk_w2ozPGtH2WgLmq3ugbDnr0QCLcBGAs/s640/Ecole%2Bd%2527Art%2B%25C3%25A0%2BChlef-Benattia-mohamed.jpg" width="480" /></a></div></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-503347448185012522.post-29566607869962543512017-07-06T20:00:00.000+01:002018-03-13T13:00:07.860+01:00Village de refuge à Oran<div dir="ltr" style="text-align: left;" trbidi="on">Thème: Village de refuge à Oran<br />Etudiant: Khédim Zakaria<br />Encadreur: Bouziane Mohammed<br />Année Universitaire: 2016-2017. Master 2. S10. (Projet fin d'études).<br />Département d'architecture de l'Université des Sciences et de la Technologie d'Oran (Mohamed Boudiaf). USTO-MB. Algérie.<br /><div class="separator" style="clear: both; text-align: center;"><a href="https://3.bp.blogspot.com/-mvm_zSKbKxg/WV6RC02BkbI/AAAAAAAAENM/2qkeusMmhw0Mb08F1nmQU5Vg73VtiQnVACLcBGAs/s1600/IMG_20170701_080252.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://3.bp.blogspot.com/-mvm_zSKbKxg/WV6RC02BkbI/AAAAAAAAENM/2qkeusMmhw0Mb08F1nmQU5Vg73VtiQnVACLcBGAs/s320/IMG_20170701_080252.jpg" width="240" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/-zfFb4iytQIs/WV6RChreRfI/AAAAAAAAENI/Iu-01C9nag8_TV_7Aki7aSY9Ssu72EJqgCLcBGAs/s1600/IMG_20170701_080257.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://2.bp.blogspot.com/-zfFb4iytQIs/WV6RChreRfI/AAAAAAAAENI/Iu-01C9nag8_TV_7Aki7aSY9Ssu72EJqgCLcBGAs/s320/IMG_20170701_080257.jpg" width="240" /></a></div><br /><div class="separator" style="clear: both; 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text-align: center;"><a href="https://3.bp.blogspot.com/-KlNdnaKKnD8/WV6RVBgVWFI/AAAAAAAAEN0/vLOJrPGBmEo-rfqCTIF3lC5bOi2WWyDfgCLcBGAs/s1600/IMG_20170701_131453.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://3.bp.blogspot.com/-KlNdnaKKnD8/WV6RVBgVWFI/AAAAAAAAEN0/vLOJrPGBmEo-rfqCTIF3lC5bOi2WWyDfgCLcBGAs/s320/IMG_20170701_131453.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/-JAvxlSR5oEU/WV6RWIgTKcI/AAAAAAAAEN4/vl6JAUbazoEv_GfO-uwEbDWAz9gYHqbqwCLcBGAs/s1600/IMG_20170701_131503.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://2.bp.blogspot.com/-JAvxlSR5oEU/WV6RWIgTKcI/AAAAAAAAEN4/vl6JAUbazoEv_GfO-uwEbDWAz9gYHqbqwCLcBGAs/s320/IMG_20170701_131503.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-gkWgr4qGdQg/WV6RXjV2B_I/AAAAAAAAEN8/-2K631nIRWYtYMnMax2tOKl0DkLTdUHawCLcBGAs/s1600/IMG_20170701_131505.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://1.bp.blogspot.com/-gkWgr4qGdQg/WV6RXjV2B_I/AAAAAAAAEN8/-2K631nIRWYtYMnMax2tOKl0DkLTdUHawCLcBGAs/s320/IMG_20170701_131505.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://3.bp.blogspot.com/-X2GEIB2hHro/WV6RZExKpvI/AAAAAAAAEOA/9DFcIwqKsRIsh84defAB-u14S4zFAIc7gCLcBGAs/s1600/IMG_20170701_131509.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://3.bp.blogspot.com/-X2GEIB2hHro/WV6RZExKpvI/AAAAAAAAEOA/9DFcIwqKsRIsh84defAB-u14S4zFAIc7gCLcBGAs/s320/IMG_20170701_131509.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-EZmPQbnC6L8/WV6RZY3BceI/AAAAAAAAEOE/-gimqYkowQk8nU-P4nRxgIVdWrXY6EeFwCLcBGAs/s1600/IMG_20170701_131512.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://1.bp.blogspot.com/-EZmPQbnC6L8/WV6RZY3BceI/AAAAAAAAEOE/-gimqYkowQk8nU-P4nRxgIVdWrXY6EeFwCLcBGAs/s320/IMG_20170701_131512.jpg" width="320" /></a></div><br /></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-503347448185012522.post-81196637839176614342017-07-06T19:00:00.000+01:002018-03-13T13:00:07.907+01:00Gare ferroviaire à Tiaret <div dir="ltr" style="text-align: left;" trbidi="on">Thème: Gare ferroviaire à Tiaret<br />Etudiant: TAILBA Oum El Kheir.<br />Encadreur: Bouziane Mohammed<br />Année Universitaire: 2016-2017. Master 2. S10. (Projet fin d'études).<br />Département d'architecture de l'Université des Sciences et de la Technologie d'Oran (Mohamed Boudiaf). USTO-MB. Algérie.<br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-oreArnfaFxk/WV6VPiPfjqI/AAAAAAAAEOg/5oA-TiMtfjMICelwd6V4ENL5_vwMERQngCLcBGAs/s1600/IMG_20170702_090100.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://1.bp.blogspot.com/-oreArnfaFxk/WV6VPiPfjqI/AAAAAAAAEOg/5oA-TiMtfjMICelwd6V4ENL5_vwMERQngCLcBGAs/s320/IMG_20170702_090100.jpg" width="240" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/-geFBftDqeHU/WV6VP-6mv4I/AAAAAAAAEOo/nQJsLLXD1gsuitk71ODI17uRGSM8rO9FACLcBGAs/s1600/IMG_20170702_090107.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://2.bp.blogspot.com/-geFBftDqeHU/WV6VP-6mv4I/AAAAAAAAEOo/nQJsLLXD1gsuitk71ODI17uRGSM8rO9FACLcBGAs/s320/IMG_20170702_090107.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://3.bp.blogspot.com/-qzpOfsFE6fU/WV6VQHPuBZI/AAAAAAAAEOk/E0bNtmzjPFQLyp1C571EmA-ddMeiQe_OACLcBGAs/s1600/IMG_20170702_090108.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://3.bp.blogspot.com/-qzpOfsFE6fU/WV6VQHPuBZI/AAAAAAAAEOk/E0bNtmzjPFQLyp1C571EmA-ddMeiQe_OACLcBGAs/s320/IMG_20170702_090108.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://4.bp.blogspot.com/-9VpHxZyJ9CU/WV6VTVV5heI/AAAAAAAAEOs/Qgfe8VfHPGIiIbULHOMIOIjs_CXGxi-RgCLcBGAs/s1600/IMG_20170702_090115.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://4.bp.blogspot.com/-9VpHxZyJ9CU/WV6VTVV5heI/AAAAAAAAEOs/Qgfe8VfHPGIiIbULHOMIOIjs_CXGxi-RgCLcBGAs/s320/IMG_20170702_090115.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/-lwMVZuK1pLw/WV6VUDbl00I/AAAAAAAAEOw/oVN4LtSxJjAecDUXB5g4yY_kfvkWsNVjwCLcBGAs/s1600/IMG_20170702_090140.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://2.bp.blogspot.com/-lwMVZuK1pLw/WV6VUDbl00I/AAAAAAAAEOw/oVN4LtSxJjAecDUXB5g4yY_kfvkWsNVjwCLcBGAs/s320/IMG_20170702_090140.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/-uenUZNuVO44/WV6VUWZxpmI/AAAAAAAAEO0/jNCL-3OkK74ZaCT2HIXf3sZnns46pTV6gCLcBGAs/s1600/IMG_20170702_090151.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://2.bp.blogspot.com/-uenUZNuVO44/WV6VUWZxpmI/AAAAAAAAEO0/jNCL-3OkK74ZaCT2HIXf3sZnns46pTV6gCLcBGAs/s320/IMG_20170702_090151.jpg" width="320" /></a></div><br /></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-503347448185012522.post-40682960957695046162017-07-06T10:00:00.000+01:002018-03-13T13:00:07.992+01:00Village de refuge à Oran<div dir="ltr" style="text-align: left;" trbidi="on">Thème: Village de refuge à Oran<br />Etudiant: Khédim Zakaria<br />Encadreur: Bouziane Mohammed<br />Année Universitaire: 2016-2017. Master 2. S10. (Projet fin d'études).<br />Département d'architecture de l'Université des Sciences et de la Technologie d'Oran (Mohamed Boudiaf). USTO-MB. Algérie.<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://4.bp.blogspot.com/-T3xEPJJK-cI/WWPT2BnJsSI/AAAAAAAAEQk/0HRDfU2zXUIxF-hKeEdyDFUg-wbnBbBBwCLcBGAs/s1600/MASTER2-S10-PFE-KHEDIm-Zakaria%2BUSTO-MB-2016-2017%2B%25281%2529.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="486" data-original-width="960" height="324" src="https://4.bp.blogspot.com/-T3xEPJJK-cI/WWPT2BnJsSI/AAAAAAAAEQk/0HRDfU2zXUIxF-hKeEdyDFUg-wbnBbBBwCLcBGAs/s640/MASTER2-S10-PFE-KHEDIm-Zakaria%2BUSTO-MB-2016-2017%2B%25281%2529.jpeg" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/--VHebg73MJY/WWPT3oE01HI/AAAAAAAAEQs/pVtVXlDbhtQQLmCoXEWSHLFQ7GP2rpXuQCLcBGAs/s1600/MASTER2-S10-PFE-KHEDIm-Zakaria%2BUSTO-MB-2016-2017%2B%25281%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="649" data-original-width="1204" height="344" src="https://2.bp.blogspot.com/--VHebg73MJY/WWPT3oE01HI/AAAAAAAAEQs/pVtVXlDbhtQQLmCoXEWSHLFQ7GP2rpXuQCLcBGAs/s640/MASTER2-S10-PFE-KHEDIm-Zakaria%2BUSTO-MB-2016-2017%2B%25281%2529.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; 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text-align: center;"><a href="https://3.bp.blogspot.com/-VFAnDYrqAM4/WWPUUmxpFRI/AAAAAAAAERw/QvThgJLjMqMlZoQhGiCt5nGVzaO9cFzIgCLcBGAs/s1600/MASTER2-S10-PFE-KHEDIm-Zakaria%2BUSTO-MB-2016-2017%2B%25289%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="649" data-original-width="1204" height="344" src="https://3.bp.blogspot.com/-VFAnDYrqAM4/WWPUUmxpFRI/AAAAAAAAERw/QvThgJLjMqMlZoQhGiCt5nGVzaO9cFzIgCLcBGAs/s640/MASTER2-S10-PFE-KHEDIm-Zakaria%2BUSTO-MB-2016-2017%2B%25289%2529.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-jU48uszFTYk/WWPT3KMhvFI/AAAAAAAAEQo/l-GT7L2Ikx0KPJD88wlo8sD3MLc0Pq5vwCLcBGAs/s1600/MASTER2-S10-PFE-KHEDIm-Zakaria%2BUSTO-MB-2016-2017%2B%252810%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="649" data-original-width="1204" height="344" src="https://1.bp.blogspot.com/-jU48uszFTYk/WWPT3KMhvFI/AAAAAAAAEQo/l-GT7L2Ikx0KPJD88wlo8sD3MLc0Pq5vwCLcBGAs/s640/MASTER2-S10-PFE-KHEDIm-Zakaria%2BUSTO-MB-2016-2017%2B%252810%2529.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; 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Master 2. S10. (Projet fin d'études).<br />Département d'architecture de l'Université des Sciences et de la Technologie d'Oran (Mohamed Boudiaf). USTO-MB. Algérie.<br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-yVXxEtTCrsY/WV6UTC0wjrI/AAAAAAAAEOI/l2U4Y03S2u0wbcm-dWN_n9kIXPxkEgmiACLcBGAs/s1600/IMG_20170702_153850.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://1.bp.blogspot.com/-yVXxEtTCrsY/WV6UTC0wjrI/AAAAAAAAEOI/l2U4Y03S2u0wbcm-dWN_n9kIXPxkEgmiACLcBGAs/s320/IMG_20170702_153850.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://3.bp.blogspot.com/-hfgi1Fa5RjQ/WV6UTE_JagI/AAAAAAAAEOM/UswTTsdwEhotDpIvzXUBt8JByV9yAUy5ACLcBGAs/s1600/IMG_20170702_153902.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://3.bp.blogspot.com/-hfgi1Fa5RjQ/WV6UTE_JagI/AAAAAAAAEOM/UswTTsdwEhotDpIvzXUBt8JByV9yAUy5ACLcBGAs/s320/IMG_20170702_153902.jpg" width="240" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/-4Bn5mXkEYOA/WV6UTTLS2_I/AAAAAAAAEOQ/5llEHrUY4vgkuofwewZ264h0Owzb525dwCLcBGAs/s1600/IMG_20170702_153912.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://2.bp.blogspot.com/-4Bn5mXkEYOA/WV6UTTLS2_I/AAAAAAAAEOQ/5llEHrUY4vgkuofwewZ264h0Owzb525dwCLcBGAs/s320/IMG_20170702_153912.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://4.bp.blogspot.com/-IghHL9p8rFc/WV6UXCGQPpI/AAAAAAAAEOU/XCIj5u-R-GIPDEVo8einbRPOgpmn2fhYgCLcBGAs/s1600/IMG_20170702_154109.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://4.bp.blogspot.com/-IghHL9p8rFc/WV6UXCGQPpI/AAAAAAAAEOU/XCIj5u-R-GIPDEVo8einbRPOgpmn2fhYgCLcBGAs/s320/IMG_20170702_154109.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/-ssapffAdxiI/WV6UYW-XXRI/AAAAAAAAEOc/u4oCmZtTnCMmGt2rtqn0XK34N97-rNwTwCLcBGAs/s1600/IMG_20170702_154117.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://2.bp.blogspot.com/-ssapffAdxiI/WV6UYW-XXRI/AAAAAAAAEOc/u4oCmZtTnCMmGt2rtqn0XK34N97-rNwTwCLcBGAs/s320/IMG_20170702_154117.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/-nWadSykyErI/WV6UYC7yGPI/AAAAAAAAEOY/-R-B2WrFL8I00WUh3FubxigWf5yXiNhYACLcBGAs/s1600/IMG_20170702_154122.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://2.bp.blogspot.com/-nWadSykyErI/WV6UYC7yGPI/AAAAAAAAEOY/-R-B2WrFL8I00WUh3FubxigWf5yXiNhYACLcBGAs/s320/IMG_20170702_154122.jpg" width="320" /></a></div><br /></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-503347448185012522.post-40373011536191269692017-07-03T21:14:00.000+01:002018-03-13T13:00:08.119+01:00Habitat intermédiaire: groupement de maisons individuelles<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: justify;">Licence 2- Habitat intermédiaire et groupement de maisons individuelles. Semestre II. Juin 2017. Département d'architecture de l'USTO (Oran, Algérie).</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Second Year (licence)- Intermediate housing (group of individual houses). Architecture department of the USTO (Oran, Algeria). 2017.</div><div class="separator" style="clear: both; text-align: center;"><a href="https://3.bp.blogspot.com/-j0fm3sKRM0Q/WVqkikcLoyI/AAAAAAAAEKI/U7vpbf2hFZ4X-e7OP2OhSDI1TeX8wcWcgCLcBGAs/s1600/IMG_20170701_073503.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://3.bp.blogspot.com/-j0fm3sKRM0Q/WVqkikcLoyI/AAAAAAAAEKI/U7vpbf2hFZ4X-e7OP2OhSDI1TeX8wcWcgCLcBGAs/s320/IMG_20170701_073503.jpg" width="240" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-xAjtkMRdRsI/WVqkuLy-drI/AAAAAAAAEKM/qtmuwkRKcFwzlWNp3VmbGb5q1dk7RtoOQCLcBGAs/s1600/IMG_20170701_073539.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://1.bp.blogspot.com/-xAjtkMRdRsI/WVqkuLy-drI/AAAAAAAAEKM/qtmuwkRKcFwzlWNp3VmbGb5q1dk7RtoOQCLcBGAs/s320/IMG_20170701_073539.jpg" width="240" /></a></div><br /><div class="separator" style="clear: both; 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text-align: center;"><a href="https://3.bp.blogspot.com/-Dkapgm6P89w/WV6Me0qalWI/AAAAAAAAEMA/zGd25qaSDxgyjmvfK1QZyY6DPWClMbdWQCLcBGAs/s1600/IMG_20170701_074126.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://3.bp.blogspot.com/-Dkapgm6P89w/WV6Me0qalWI/AAAAAAAAEMA/zGd25qaSDxgyjmvfK1QZyY6DPWClMbdWQCLcBGAs/s320/IMG_20170701_074126.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-TkPtRH3xxLU/WV6MfpC_ahI/AAAAAAAAEME/5WxJklXQ94UgSA5u_mucG0vlPAYOkOwlACLcBGAs/s1600/IMG_20170701_074138.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://1.bp.blogspot.com/-TkPtRH3xxLU/WV6MfpC_ahI/AAAAAAAAEME/5WxJklXQ94UgSA5u_mucG0vlPAYOkOwlACLcBGAs/s320/IMG_20170701_074138.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://3.bp.blogspot.com/-g1-ulGlBePY/WV6Mi3AIK1I/AAAAAAAAEMI/rHCDvEN-vAEGwZ8l627L1TS7QaRvnxFJwCLcBGAs/s1600/IMG_20170701_074143.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://3.bp.blogspot.com/-g1-ulGlBePY/WV6Mi3AIK1I/AAAAAAAAEMI/rHCDvEN-vAEGwZ8l627L1TS7QaRvnxFJwCLcBGAs/s320/IMG_20170701_074143.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/-jVK9obTzFHU/WV6MkYo26OI/AAAAAAAAEMM/-6xuypuzXVwffHGTYUWpjzKD6Oj1DFq5gCLcBGAs/s1600/IMG_20170701_074201.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://2.bp.blogspot.com/-jVK9obTzFHU/WV6MkYo26OI/AAAAAAAAEMM/-6xuypuzXVwffHGTYUWpjzKD6Oj1DFq5gCLcBGAs/s320/IMG_20170701_074201.jpg" width="240" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://3.bp.blogspot.com/-jZ17SoJn9mU/WV6MkjlXxpI/AAAAAAAAEMQ/aqHFFgGDTbQ02h7m25ePmx5gFM7hgqcAwCLcBGAs/s1600/IMG_20170701_074712.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://3.bp.blogspot.com/-jZ17SoJn9mU/WV6MkjlXxpI/AAAAAAAAEMQ/aqHFFgGDTbQ02h7m25ePmx5gFM7hgqcAwCLcBGAs/s320/IMG_20170701_074712.jpg" width="240" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><br /></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-503347448185012522.post-60222344994513772542017-05-22T20:25:00.000+01:002018-03-13T13:00:08.173+01:00Travaux du département d'Architecture de l'Université de Mostaganem<div dir="ltr" style="text-align: left;" trbidi="on"><div dir="ltr" style="text-align: left;" trbidi="on">Projets de M1 département d'architecture de l'Université de Mostaganem.<br />First year Master. Architecture department of Mostaganem University (Algeria).<br />Workshop Supervised by : <b>M. R. Benbouziane, A. Benzidane. </b><i>(Année Universitaire 2015-2016)</i><br /><br /><div style="text-align: center;"><span style="font-weight: bold;"><br /></span></div><div style="text-align: center;"><span style="font-weight: bold;"><br /></span></div></div><div style="text-align: center;"><iframe allowtransparency="true" frameborder="0" height="708" scrolling="no" src="https://www.facebook.com/plugins/post.php?href=https%3A%2F%2Fwww.facebook.com%2Farchipixels.dz%2Fposts%2F1486367038065482&width=500" style="border: none; overflow: hidden;" width="500"></iframe></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-m8ad-IP5Pes/WSM7o-y2JGI/AAAAAAAAEJk/bORCvj4CTMYBV_pL6HTs5lq1QMOFMBT8gCLcB/s1600/M1-Archi-Mosta-2016.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://1.bp.blogspot.com/-m8ad-IP5Pes/WSM7o-y2JGI/AAAAAAAAEJk/bORCvj4CTMYBV_pL6HTs5lq1QMOFMBT8gCLcB/s1600/M1-Archi-Mosta-2016.jpg" /></a></div><br /></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-503347448185012522.post-17156760849463642682016-11-23T19:33:00.000+01:002018-03-14T19:47:55.567+01:00La problématique: définition et cadre | texte Pdf à télécharger.<div dir="ltr" style="text-align: left;" trbidi="on"><div style="text-align: justify;">En cliquant sur <span style="background-color: yellow;"><b><a href="https://drive.google.com/open?id=0B_ZMR9PDrNpkdXpFRFJCeklub0U" target="_blank">ce lien</a></b></span> vous serez en mesure de télécharger ce document sur la problématique .</div><div style="text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-Gqh_wjR335w/WDXg_PW2H1I/AAAAAAAAAJs/UqwXgEpFRvggwXOGuCxncgIFjDAKpmQEACLcB/s1600/Probl%25C3%25A9matique.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="197" src="https://1.bp.blogspot.com/-Gqh_wjR335w/WDXg_PW2H1I/AAAAAAAAAJs/UqwXgEpFRvggwXOGuCxncgIFjDAKpmQEACLcB/s320/Probl%25C3%25A9matique.JPG" width="320" /></a></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /></div></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-503347448185012522.post-38942869223903390052016-06-08T23:26:00.000+01:002018-03-14T19:47:55.596+01:00Esquisse: Théâtre à ex-Sananes (Oran)<div dir="ltr" style="text-align: left;" trbidi="on">Théâtre à ex-Sananes (Oran). Senouci Mohamed. Département d'architecture d'Oran. Master 01. 2015-2016.<br /><div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/-_Y4lPKFlm-E/V1ibOEv23aI/AAAAAAAAAI8/5DpHLA-zBvEf8J03UEZAoCPgoonUWohHQCLcB/s1600/Senouci-Mo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://2.bp.blogspot.com/-_Y4lPKFlm-E/V1ibOEv23aI/AAAAAAAAAI8/5DpHLA-zBvEf8J03UEZAoCPgoonUWohHQCLcB/s400/Senouci-Mo.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://2.bp.blogspot.com/-YbyjkZ5zXTo/V1ibRxdJsEI/AAAAAAAAAJE/w7J-p_ovjhoOjJEQcr1vX3H5NhK-hu0xwCLcB/s1600/Senouci-mo1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://2.bp.blogspot.com/-YbyjkZ5zXTo/V1ibRxdJsEI/AAAAAAAAAJE/w7J-p_ovjhoOjJEQcr1vX3H5NhK-hu0xwCLcB/s400/Senouci-mo1.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-Db93Xngh-dU/V1ibTvEL87I/AAAAAAAAAJM/ZFWLmdpRg-YwwzTOKrrzmi34MDD_lVfgACLcB/s1600/Senouci-Mo3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://1.bp.blogspot.com/-Db93Xngh-dU/V1ibTvEL87I/AAAAAAAAAJM/ZFWLmdpRg-YwwzTOKrrzmi34MDD_lVfgACLcB/s400/Senouci-Mo3.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div style="text-align: center;"><iframe allowtransparency="true" frameborder="0" height="645" scrolling="no" src="https://www.facebook.com/plugins/post.php?href=https%3A%2F%2Fwww.facebook.com%2Farchipixels.dz%2Fposts%2F1150699201632269&width=500" style="border: none; overflow: hidden;" width="500"></iframe><br /></div></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-503347448185012522.post-71063731802130257822016-06-08T23:16:00.000+01:002018-03-13T13:00:08.229+01:00Théâtre à ex-Sananes (Oran)<div dir="ltr" style="text-align: left;" trbidi="on">Thème: Théâtre<br />Etudiant: Senouci Mohamed<br />Enseignants: Bouziane Mohammed et Ouamara Abdelhakim<br /><div>Année Universitaire: 2015-201y. Master 1 (Architecture). Esquisse (Échelle 1/200<br />Département d'architecture de l'Université des Sciences et de la Technologie d'Oran (Mohamed Boudiaf). USTO-MB. Algérie.<br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-F1tGvu-2Qwg/V1iY6tVSAFI/AAAAAAAAEGs/uusnDcblwsI54OtJH7bVGn0ieJKUSNFVACLcB/s1600/Senouci-Mo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://1.bp.blogspot.com/-F1tGvu-2Qwg/V1iY6tVSAFI/AAAAAAAAEGs/uusnDcblwsI54OtJH7bVGn0ieJKUSNFVACLcB/s320/Senouci-Mo.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-PH3aIsnZKzo/V1iY-dbvRLI/AAAAAAAAEG0/y4LXLpHUsT0FJujhvcyO4UfbwOqMOhNawCLcB/s1600/Senouci-mo1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://1.bp.blogspot.com/-PH3aIsnZKzo/V1iY-dbvRLI/AAAAAAAAEG0/y4LXLpHUsT0FJujhvcyO4UfbwOqMOhNawCLcB/s320/Senouci-mo1.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://3.bp.blogspot.com/-Wwl7eqXmi1c/V1iZCrNyP3I/AAAAAAAAEG8/nsjfRxob8w8aqs2BesSgPIeamwhOFLnTQCLcB/s1600/Senouci-Mo3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://3.bp.blogspot.com/-Wwl7eqXmi1c/V1iZCrNyP3I/AAAAAAAAEG8/nsjfRxob8w8aqs2BesSgPIeamwhOFLnTQCLcB/s320/Senouci-Mo3.jpg" width="320" /></a></div><br /></div></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-503347448185012522.post-13431058017749552342016-03-24T15:56:00.001+01:002018-03-06T16:46:55.837+01:00Édifices de style néo mauresque aux États-Unis...la Villa Zorayda<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://3.bp.blogspot.com/-JSlXaE-6fgE/VvP9xXRFFfI/AAAAAAAAEFo/SwbF4jxVInUx9gndzW87PFca2Mrp_7odQ/s1600/Villa%2BZorayda.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://3.bp.blogspot.com/-JSlXaE-6fgE/VvP9xXRFFfI/AAAAAAAAEFo/SwbF4jxVInUx9gndzW87PFca2Mrp_7odQ/s1600/Villa%2BZorayda.jpg" /></a></div>
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Cet édifice, déclaré Monument Historique National en 1993 (U.S. National Register of Historic Places), est la première résidence de style néo-mauresque édifiée dans l'État américain de Floride. </div>
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La villa a été construite en 1883 par le millionnaire originaire de Boston Franklin W. Smith qui voulait en faire sa residence d'hiver, le climat méridional de St. Augustine étant plus clément en hiver que celui, rude, de Boston.</div>
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Actuellement, cet édifice fait office de musée dont les visites guidées sont faites en trois langues (anglais, français et espagnol).</div>
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Se voulant une réminiscence du palais nasride d'Alhambra, le patio de cette extravagante demeure n'est pas sans nous rappeler ceux de la Casbah d'Alger (voir photo jointe dans les commentaires).</div>
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Son propriétaire l'avait baptisée "villa Zorayda", du nom de l'une des trois princesses du récit de Washington Irwing intitulé "Alhambra" et qui connut un succès énorme aux états Unis. Zorayda dérive du prénom Soraya, très répandu en Espagne mais aussi en Amérique Latine et qui désigne en arabe une constellation qui n'apparaît que durant l'hiver.</div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-HYYO2FCCX0o/VvP-SjLmqbI/AAAAAAAAEFs/zOl2WRuxXqUFXLlMYdnbtXiEQa3jiFBTw/s1600/Villa%2BZorayda-Patio.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://3.bp.blogspot.com/-HYYO2FCCX0o/VvP-SjLmqbI/AAAAAAAAEFs/zOl2WRuxXqUFXLlMYdnbtXiEQa3jiFBTw/s400/Villa%2BZorayda-Patio.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span aria-live="polite" class="fbPhotosPhotoCaption" data-ft="{"tn":"K"}" id="fbPhotoSnowliftCaption" style="background-color: white; color: #141823; display: inline; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px; line-height: 18px; outline: none; text-align: left; width: auto;" tabindex="0"><span class="hasCaption">Patio de la villa Zorayda.</span></span></td></tr>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-503347448185012522.post-91611169899179928142016-03-18T13:22:00.000+01:002018-03-14T19:47:55.697+01:00Activites Pédagogiques: Chantier-école à Ksar Louata<div dir="ltr" style="text-align: left;" trbidi="on"><div dir="ltr" style="text-align: left;" trbidi="on"><div class="mobile-photo"><div style="text-align: center;"><a href="http://1.bp.blogspot.com/-WIiTLlVZvlk/VuvzDJXH72I/AAAAAAAAAIs/aAV9E2cdWqIc3EyivRkGKuLyhXiDqqOlA/s1600/Reportage-755656.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_6263366942166871906" src="https://1.bp.blogspot.com/-WIiTLlVZvlk/VuvzDJXH72I/AAAAAAAAAIs/aAV9E2cdWqIc3EyivRkGKuLyhXiDqqOlA/s320/Reportage-755656.JPG" /></a></div></div><div dir="ltr"><div style="text-align: center;"><br /></div><div style="text-align: justify;">Ci-voici reportage télé sur le chantier école auquel ont participé les étudiants département d'architecture de l'USTO-MB (Oran). </div><div style="text-align: justify;"><br /></div></div><div dir="ltr"><i>"Des étudiants, du toub, des gens sympathiques et beaucoup de bonne humeur".</i><br /><br /></div></div><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube-nocookie.com/embed/IcF1Tehi1yk?rel=0" width="560"></iframe></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-503347448185012522.post-86068713607353904982016-03-16T12:31:00.000+01:002018-03-16T12:56:48.394+01:00Templo de Ramses II<div dir="ltr" style="text-align: left;" trbidi="on">
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<b>Conocido como ‘El Templo de Riamsese-Meryamun’, fue construido por Ramses II e iniciado posiblemente a principios de su reinado. El templo se encontraba totalmente recubierto por la arena hasta el año 1813 cuando J.L. Burckhardt encontró el busto de uno de los colosos. En 1815 Belzoni, después de quitar gran cantidad de arena, descu-brió la puerta de acceso. Entre 1964 y 1968 fue desmontado y trasladado de su em-plazamiento original, unos 210 metros más alla del río y 65 metros más arriba, como consecuencia de las obras realizadas en la construcción de la gran presa de Asuán.</b></div>
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<a href="https://1.bp.blogspot.com/-5bo-3E6PAwI/Wquwec9kP0I/AAAAAAAAEnw/eoDW8-gqP5MjNkRh717AP3X_eml4qwUVwCLcBGAs/s1600/Abu%2BSimber.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="900" height="177" src="https://1.bp.blogspot.com/-5bo-3E6PAwI/Wquwec9kP0I/AAAAAAAAEnw/eoDW8-gqP5MjNkRh717AP3X_eml4qwUVwCLcBGAs/s320/Abu%2BSimber.jpg" width="320" /></a></div>
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El templo se abre con un pórtico que conduce a un atrio y una terraza, donde se en-cuentra la impresionante fachada, excavada en la roca, de 35 metros de anchura por 30 metros de altura, en la que están los 4 famosos colosos sedentes de Ramses II de unos 22 metros de altura. Estos colosos están acompañados de pequeñas figuras, co-locadas entre las piernas, que representan a sus parientes. El templo se construyó aprovechando las cavidades existentes, ahora dedicadas a divinidades locales, y agrandando la planta para adaptarla a las nuevas necesidades. Sólo aparecen citas de Ramses II, salvo un escrito de Siptah, alabando a los dioses, que se encuentra en la pared norte de la entrada.</div>
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La construcción fue planificada de manera que 2 veces al año, cuando el sol salía por el horizonte, sus rayos penetraban por la puerta y tras proyectarse en la gran sala de ocho columnas, la segunda, el vestíbulo y el santuario incidían en las 4 estatuas del nicho de la parte posterior que se iluminaban por completo.</div>
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<a href="https://3.bp.blogspot.com/-ZgMftVG3O7A/Wquw1joPT4I/AAAAAAAAEn0/Cgf5co4r1CAdEC9deUsmttutZHSj7R15wCLcBGAs/s1600/t%25C3%25A9l%25C3%25A9chargement.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="239" data-original-width="211" src="https://3.bp.blogspot.com/-ZgMftVG3O7A/Wquw1joPT4I/AAAAAAAAEn0/Cgf5co4r1CAdEC9deUsmttutZHSj7R15wCLcBGAs/s1600/t%25C3%25A9l%25C3%25A9chargement.jpeg" /></a></div>
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1. Colosos de Ramses II</div>
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2. Templo solar</div>
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3. Pronaos</div>
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4. Salas secundarias</div>
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5. Vestíbulo</div>
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6. Sala de ofrendas</div>
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7. Santuario</div>
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La fachada</h3>
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Los colosos de la fachada representan a Ramses II con el nemes, la doble corona de las dos Tierras, la barba postiza, símbolo del faraón en vida, el collar y un pectoral grabado con el nombre de coronación. Además lleva brazaletes, decorados con cartu-chos. Los cuatro colosos fueron excavados en la roca y están realizados de manera muy cuidada. De ellos, tres se encuentran en muy buen estado, y del cuarto sólo que-da en pie la parte inferior, hasta la cintura, mientras que parte de la cabeza y del pe-cho se encuentra esparcidos por el suelo. A cada lado, de cada uno de los cuatro colo-sos, están representados familiares directos del faraón:</div>
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El coloso I (lado izquierdo) contiene la representación de la reina Nefertari, en la pierna izquierda del faraón, Tuya, madre de Ramses II en la derecha y el príncipe Amonhorjepeshef en el centro.</div>
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En el coloso II (lado izquierdo) se encuentran las princesas Bentata, Nebettauy y otra que posiblemente representa a Senefra.</div>
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En el coloso I del lado norte (derecho) está la reina Nefertari en la pierna derecha, la princesa Beketmut en la izquierda y el principe Riamsese en el centro.</div>
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En el coloso II del lado norte la princesa Nerytamun, la reina madre Tuya y Nefertari.</div>
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En la base de los dos colosos centrales hay una representación de las divinidades del Nilo, que simbolizan la unificación de las Dos Tierras, ligando las plantas del Alto y Ba-jo Egipto. Sobre la entrada hay un nicho con un grupo escultórico que, simbólicamen-te, representa una escritura criptográfica del prenombre de Ramses II, Usermaatra. El dios Ra, con cabeza de halcón, tiene en su pierna derecha el jeroglífico indicando la cabeza y el cuello de un animal, leido user, y la diosa de la pierna izquierda representa a Maat. A ambos lados hay bajorrelieves que representan a Ramses II vuelto hacia el nicho (izquierda) y en adoración (derecha). En la parte superior de la fachada hay una hilera de estatuas de babuinos.</div>
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En la parte izquierda de la fachada hay tres estelas que representan a Ramses II en adoración a Amón, Harmajis y Horus, el discurso de celebración de un funcionario a Amón-Ra y un texto de 41 líneas que describe las circunstancias del matrimonio del faraón con la princesa hitita ofrecida por el rey de los hititas. Tras el coloso norte más extremo hay una inscripción en la que el faraón aparece ante Ra-Horajti.</div>
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En la parte derecha de la fachada se encuentra la llamada capilla septentrional, de-dicada al culto al sol. Es un pequeño recinto a cielo abierto que contiene dos pedesta-les en los que se encontraban las imágenes de dioses que ahora se muestran en el Museo Egipcio de El Cairo y una representación de la barca solar con un sacrificio del faraón a Ra-Horajti.</div>
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En el lado izquierdo del templo, en su parte sur, se encuentra la capilla meridional excavada en la roca. Se trata de una pequeña capilla de 4.40 x 7.17 metros, con una altura de 3.92 metros consagrada a Thot.</div>
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Ya en el interior del templo se encuentra la gran sala hipóstila, de 18 metros de lon-gitud y 16 de anchura cuyo techo está sostenido por 8 pilares osiríacos sobre los que se apoyan otros tantos colosos, 4 a cada lado que representan a Osiris con los rasgos de Ramses II. Los de la izquierda llevan la corona del Alto Egipto y los de la derecha la corona Pschent (la doble corona símbolo de la unificación de las 2 Tierras). Cada uno de los colosos mide aproximadamente 10 metros de altura. El techo de la sala está decorado con pinturas que representan a la diosa Nejbet con las alas desplegadas y textos reales. La decoración de las paredes muestra, de izquierda a derecha desde la entrada: Inmolación de prisioneros y cortejo de príncipes, escenas de batallas en Si-ria, Libia y Nubia junto a ofrendas, presentación de prisioneros a Ra-Harmajis y Ram-ses II divinizado, la batalla de Qadesh e inmolación de prisioneros y princesas con el sistro.</div>
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A la derecha de la sala hay 4 cámaras laterales que, con techos estrellados, contie-nen diferentes grabados. A dos de ellas se accede desde la sala hipóstila y a las otras 2 a través de un pasaje que se abre también en la sala. A la izquierda otra cámara con-duce a otras 2 salas, empleadas como habitaciones auxiliares del templo, para guardar objetos y no fueron nunca terminadas</div>
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La segunda sala hipóstila tiene 4 pilares cuadrados con escenas del rey abrazado por diferentes divinidades. Esta cámara, de 11 metros de longitud y 7.70 de anchura conduce, a través de tres puertas, a la sala de ofrendas, de 3,30 metros de longitud decorada con escenas de ofrendas y adoración. Tras esta se encuentra el santuario al que se accede por otras tres puertas alineadas con las anteriores. La puerta central conduce al propio sancta sanctorum con 4 estatuas talladas en la roca que represen-tan de izquierda a derecha a Ptah, Amón-Ra , Ramses II divinizado y Ra-Horajti mien-tras que las 2 laterales dan acceso a 2 capillas.</div>
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El Templo de Hathor (Abu Simbel)</h3>
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Realizado en la misma época que el gran templo, el templo de Hathor o pequeño tem-plo está dedicado a Hathor y a la reina Nefertari. La fachada está compuesta por 6 co-losos de pie, de aproximadamente 10 metros de altura, excavados en la roca, dentro de hornacinas rectangulares. Divididos en 2 grupos de 3 a cada lado de la puerta de entrada, los extremos representan a Ramses II y los centrales a la esposa favorita de este, la reina Nefertari, y son del mismo tamaño que los del faraón. Todos tienen ade-lantada la pierna izquierda, en actitud de marcha. Entre las piernas están representa-das esculturas de menor tamaño de príncipes en las estatuas del rey y princesas en las de la reina. De izquierda a derecha los colosos son:</div>
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- Ramses II con la corona del Alto Egipto y barba postiza.</div>
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- Nefertari con atributos de la diosa Hathor, disco solar entre 2 altas plumas y cuernos de vaca.</div>
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- Ramses II con la corona blanca del Alto Egipto y barba postiza.</div>
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- Ramses II con doble corona y barba postiza.</div>
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- Nefertari con atributos de la diosa Hathor, disco solar entre 2 altas plumas y cuernos de vaca.</div>
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- Ramses II con el nemes, la corona atef y barba postiza.</div>
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La puerta de acceso al templo se encuentra decorada con cartuchos con el nombre del faraón y escenas de ofrendas del rey a las diosas Hathor e Isis. El templo, en su planta, es una representación minimizada del gran templo: una sala con columnas hatóricas, un vestíbulo con habitaciones laterales y el santuario. El nicho de la parte posterior alberga una estatua de la diosa Hathor, protectora del faraón.</div>
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La sala hipóstila, de 11×10.8 metros, mantiene el techo sujeto por 6 pilastras hatóri-cas colocadas en 2 filas. Sobre la cabeza de Hathor se encuentran las historias del rey o la reina, separadas por fórmulas de adoración a seis diosas: Mut, Isis, Satis, Hathor, Anukis y Urethekau. La decoración muestra una ofrenda de Ramses II a Amón-Ra de un prisionero en presencia de la reina y 4 escenas de ofrendas a Anubis y Hathor y de la reina a Mut y Hathor.</div>
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Después de la sala se abre el vestíbulo que da acceso al santuario, en el que se en-cuentra una representación de la diosa Hathor saliendo de la roca, entre 2 pilares osi-ríacos, además de las habituales escenas de ofrendas. A cada lado del vestíbulo apare-cen 2 salas sin decoración, empleadas posiblemente como almacén de los objetos dedicados a las ceremonias religiosas. </div>
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Consultar <a href="http://bit.ly/1fl8jiT">fuente del texto</a></div>
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